Відео

2:26 I thought I was about to hear Roundabout by Yes

puta christ

how about st nick

Nowadays this kind of thing is completely illegal and will get you thrown in prison

It wasn't an E but never mind.

This guy works so slow! And the result sounds like a musical greeting card! 😅 I also find it funny how he basically describes the robotic vacuum cleaners we've had for 20+ years! 😅

This guy works so slow! And the result sound like a musical card! 😅

The beginning is sampled by city morgue😲😲

Sega Genesis with quantization noise: perfectly fine Sega Genesis without QN:

me when I murder the shit out of a Vileplume and evolve into Feraligatr

For anyone who's not autistic, here's an easier to read version of the megalithic text block in the description: I have a strong fascination with logical pattern forms and patterns derived from processes where logic or arithmetic functions (and their simulations) are applied. Using simple X and Y counters or checkerboard forms, logic applied to these simple elements can yield very interesting developments. The principle modes of interaction include AND/OR/XOR, addition, subtraction and multiplication are also used. The XOR (Exclusive OR) operation is particularly interesting because it can turn two input patterns (monochrome) into dynamic areas where each element region appears in the opposite light or dark shade. The composition embodies explorations into logical animated pattern development, much like the logical patterns that could be created with digital imagery or digital video. The EMS Spectron video synthesizer could create such logical animations, and using the theory from such machines, effective emulations can be created with added elements to enhance the animation effect. The composition was constructed in three sections - an introductory section comprising modulating textures and circular organic forms, the second section comprising more complex interactions and image overlays/external keys. The third section began by portraying more minimal interactions - likened to logical elementary phase formations, but this changed with the inclusion of start motif graphics with a colour-cycling effect to create animation. The colour-cycling graphics morphed into one another by use of Alpha transitions based upon the patterns themselves. The colour cycling provided an interesting contrast to the strict logic of the proceeding graphics. The three stages were created separately in order to achieve an independence in the editing process and so that elements from one section are not repeated in another. The three sections were joined together with additional overlays and graphical elements and together with the original electronic modular synthesizer music, formed the completed final master composite. I am fascinated by the electronic "textile weave" logical interactions of basic monochromatic elements, such as X and Y counter stripes. This being - generation into development, into a resolution. The approach therefore is a design that evolves and transforms using fundamental mathematical functions such as AND/OR/XOR, addition, subtraction. Organic external keys and soft linear wipes are used as a contrasting balance to the strict linear geometrics. The possible permutations of logical linear interactions with just horizontal and vertical counters is enormous. Playing with such divisions and imparting movement in either the X or Y plane, or both planes, creates numerous geometrical combinations that can be used for interesting abstract image developments. Imagery representing either the macro or microcosms are implied by the relationships animated by either the background logically-derived "textile weaves" or the organic/sinusoidal overlays that pulsate like cellular organisms. Also implied is the idea of particle interactions, and the world of the sub-atomic. The additive synthesis approach also stems from the process of not only adding the three sub-sections together, but that this composite master is further enhanced by the inclusion of added overlays and superimposed graphical elements. Boolean or arithmetic operations can create very interesting image results when two or more patterns are interlaced to form new formations. This is true for still or images in motion. Complex interactions can result when two video tracks have been generated by logical constructs as well as the external key combining the two images. Here, we have three image elements all in dynamic motion - the first video track, the second video track, and the external key creating divisions of where the different tracks will appear. The visuals have been embellished with extra graphic elements - added to the logical back grounds, creating complex visual compositions. Towards the end of the work, star-shaped graphics are mixed with star-burst light effects, each element using an Alpha wipe pattern based upon the visual itself ( a colour-cycling extravaganza). The ambient background music has been composed with aural textures created by a Eurorack modular synthesizer system - oscillators, filters, switching sequencing techniques, ring modulation and logic combinations together with some frequency shifting and delays. Several texture tracks were synchronised to the visuals with added signal generation tones to create an added overall ambience. The total effect is one of exploration. From logically-derived patterns and formations, to organic light overlays, to celebratory designs concluding the work. Many visual elements were added and mixed during the process of creation. Formation and evolution were the key concepts to be explored. Various light-effects enhance the experience so that the work celebrates the metaphysical and the cosmic.

Vorhaus visited Middlesex University circa 2007, with Mark Jenkins, and delivered a lecture/performance. I treasure my signed White Noise CD - one of my desert island electroacoustic works.

new analog horror clips looking great 🔥🔥 /j

1:40

I feel like im at the laughing horses orifice headquarters again

Oh! It's mesmerizing. Ah its so powerful, its taking over my brain! I can't, resist, I have this overwhelming urge, to, to... click the pause button and watch a different video

The synthi is not pathetic

Absolutely epic.....and for the time and technology. This is exactly why music is an art. That and Rimba tubes.

I realize that Peter was fortunate enough to have had ‘spousal subsidization’ support, but that, in no way, lessens the absolutely gargantuan, and seminal (and sacrificial) contributions this man made in the service of advancing the entire realm of synthesizers dba musical instruments. I do hope this gentle synth dynamo is RIP.

Good lord, the physical manipulation of media on tape must've taken the patience of a saint and skill of a surgeon.

i am obsessed..........................

Bluetooth e wifi e gps e celular network e torre e Tv e internet e network

Very insightful. Thank you

Starting 4:18 reminds me of Art Of Noise 👌

1979, wow. Genius. I did a lot of experimenting with tapes and cassettes myself, until I bought my Casio SK-5 sampling keyboard. Spent a lot of time making music like this. A shame all my cassettes disappeared in a fire.

Hand this guy a Sampler and the world would have been his oyster...

important footage

why am i just hearing his stuff now.

Multi track recorder? 4 mains leads of 4 tape recorders wired to 4 leaver switches on a peice of wood! Creativity in action. More money doesn’t mean creativity. Hence the holding of breath as Dr Who gets Disney funding for its 60th. Hmmm expensive bland suit crap.

If you hear the moog Version of the 10th anniversary dr who theme you can here all the hearts in UK breaking as did Delias.

Old steel factory lampshades are rare

1979 the start of the state of modernity and thatcher’s nightmare future for the dissolution of the British masses.

very good video, thanks

💙

Magnificent. Thank you

There is no charge to make sound of this as a EAS alarm maker but so creepy.

cok havali

Astonishing! Where can I download the WAV file?

The basis and inspiration of modern chill-hop and LoFi.

Kraftwerk

"Guess you guys aren't ready for that, but your kids are gonna love it".

Too bad it hasnt any sense of rhythm

this guy just casually explained producing.

I always loved Synfactory/StudioFactory! Thanks for this and the great description, all these years later.

ua-cam.com/video/rwARdrJZR0Y/v-deo.html Fun song that samples parts of his dialogue. :)

If someone knows if David Vorhaus is still alive, The Maniac would make a really cool app.

Here we go 2023

I hear this everyday in my ears. Even more when there is heavy solar activity.

This sounds like scratching.

3:15